Peter Thomas Bowyer

Designer, Builder, Aesthetic Pruner - A Gardener For All Seasons

California Landscape Contractor 712862

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FUKUOKA, JAPAN:  THE OAKLAND SISTER-CITY GARDEN (click an image to enlarge)

The Oakland Garden is a regional landscape.  It shows who we are, what we have been and future possibilities. It features the things that tie diverse individuals together: the natural and built environment where we live, work, and play; our city's history and ecology; and the influence of Japanese immigration and cultural exchange.  The garden reveals many similarities between Oakland and Fukuoka, as well as some differences between the two cultures.

Aerial photo of Oakland CA showing flatlands, Lake Merritt, the Oakland Hills, and Moutn Diablo in the distance.In the recreation of a far away landscape, and its compression into a small, enclosed garden, this design borrowed from centuries of "fuzei" landscaping in Japan.   (Partial photo of
Oakland including part of downtown, Lake Merritt and the Oakland Hills - eastern city limit.  Neighboring Mount Diablo is in the background.)

The garden design also expresses the concept of native-to-site ecological restoration by using Japanese analogs of the plants native to Oakland.  The state of California has many unique kinds of vegetation and native gardens are an important style in Oakland  

The hill & pond garden style shows the fundamental geographic similarity of the two cities.  Each port city lies between a range of hills and a bay.  Each is the gateway into the rich interior farmland, and out to the world beyond.  

Axiometric (overhead) drawing of the gardenIn the garden tradition of countries dominated by Christianity, the natural and built environment are often seen as incompatible.  This garden takes inspiration from "in" and "yo" (yin & yang) balancing the modern industrial port and Oakland Bay-Bridge with the water, land and plants to celebrate what should be regarded as a paradise on earth. The Oakland Garden's choice of strong natural and build elements poses this question:  If a modern eco-topia is possible anywhere, might that be here?

Approaching the garden, a panel shows photos of Oakland people and places

Photo of the brigde crossing the pond.  The murals are in the background.Then you cross over the pond, representing San Francisco Bay-estuary, on a small model of the new Oakland span of the Bay Bridge

Photo of the port:  crane-swing, semi-truck graphic, wharf.  The Navigation Redwoods and the shelter are in the background.The port of is on the right.  It represents the economy of Oakland.  Here, a swing hangs from a five meter tall cargo loading crane.  On the colorful playground surface, a container truck is pictured pulling under the crane.  This modern, industrial dock has Japanese garden precedents dating back to the Heian-era boating garden.

At the north end of the pond, marsh plants create a sinuous shoreline, enlarging the apparent size of the water.  To the south, a peninsular marsh directs  your attention back into the center of the garden, while also enlarging the apparent extent of the water through use of the 3-depths principle (from landscape painting).

dscf0039.jpg (545412 bytes)Three Oak trees represent the historic Oak-woodland that gave Oakland its name.  At the time of it's founding, people lived among these trees.  Oakland was regarded as a biblical garden of paradise compared to the urban industrial city of San Francisco across the bay.  There’s a cultural simile with the popularity of western paradise gardens in medieval Japan. 

Photo of shelter front elevationThe shelter is built in the First-Bay/Craftsman architectural style popularized in the Oakland-Berkeley area.  This style borrowed a lot from Japanese architecture, including the ornamental use of timber framing, rafters and roof profile.  The roof's rough planks recall nearby Fort Ross, the first wooden structure in California grown graceful with age.  The Convex-concave rhythm of boards is similar to tile roofs in Japan.   

On the hills at the east end of the garden grow Oakland's  Coast Redwood forest.  From the garden entry, the far-grove tree arrangement (which includes the Oaks) creates a forced perspective, rendering the illusion of greater width & depth.  Two big Redwoods represent the historical "Navigation Trees".  Sailors used these to avoid shipwreck on the submerged Blossom Rock in the San Francisco bay. 

Photo + drawing of San Francisco mural framed by hedge.Exiting over the bridge, you pass through a gallery field of murals that show views towards San Francisco, the Golden Gate and Mount Tamalpais--the same spectacular borrowed scenery that residents of Oakland enjoy.  In time the same hedges that enclose the entire garden will grow around the murals, hiding unwanted views and revealing the distant scenery.  The murals will become like windows.  

In the recreation of a distant landscape ("fuzei"), the arrangement of many features around a pond ("kaiyu"), the hill & pond topography ("chisen kaiyu shiki"), the shared architecture, the bonsai far-grove tree arrangement, the painterly use of three depths, the hide & reveal ("miegakure"), the use of distant scenery, and the integration of humanity and nature, the garden relies on principles of Japanese design to recreate the essence of Oakland.  This honors the influence of Japanese immigration and cultural exchange.

Credits
Lead Designer:  Peter Thomas Bowyer, Oakland CA USA  
Assistant designer:  Junko Higashi, Fukuoka JN
Mural Artist:  Elizabeth Kavaler, Kensington, CA USA
Shelter Architect:  Bennett Christoferson,, AIA, Oakland CA USA
Steel Detailer: Kenneth N. Knudsen, Oakland CA USA  
Play surface graphic:  Rocky Baird
Pamphlet:  Yae Murasato, Fukuoka JN
Construction details:  Sohgoh Landscape Planning Office, Fukuoka JN
Project management:  Fukuoka City Parks Department
Funding:  National Urban Greening Fair, JN; Fukuoka-Oakland Friendship Association; Oakland-Fukuoka Sister City Association    
Additional design contributions: Ed Bantilan, Kate Bean, John Boyce, Len Cardoza, Rosalie Carlson, Bill Castellon, David Delaney, Daniel Fontes, Daniel Galvez, Jody Gianni, Mary Gribbin, Robin Grossinger, Tim hansken, Marie Higashi, Christian Karl Janssen, Glenn Keator, Randall Lee, Chihori Lietman, Alex Loughry, Jay MacDonald, Dennis Makishima, Fred Martin, Jeff McKenna, Paul Miller, David Ruiz, Rebecca Sablo, Michael Scollard, Liane Scott, Paul Shimotake, Kathy Shaner, Terry Smalley, Joyce Stanek, Ray Vickers-Traft, David Wagner, John & Susie Wherlie, Darren Wong.

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